Never whistle during a death scene on the stage.


(Transcribed extract from The Herald-Journal, Bessemer, Alabama December 20, 1888)

Never whistle during a death scene on the stage.

Do not play poker with your neighbor during the play.

Never try to be near your friends by sitting on the arm of an orchestra chair.

Be self-possessed on all occasions. If the central chandelier falls upon you, try to appear unconcerned.

Take the seats the usher gives you. Do not insist upon occupying a private box on the strength of a hat check.

Dress quietly for the theatre. A loud suit frequently keeps the other auditors from hearing what is said on the stage.

See all books by Donna R Causey

Those who affect the front row in the gallery must not drop peanut shells, derby hats or rubbers into the orchestra circle.

Do not spoil the plot of the play by yelling to the villain not to forget the incriminating papers he drops near the corpse.

Persons who take cold easily and are especially susceptible to draughts should never sit near the cornet player in the orchestra.

If you hire a pair of Opera glasses without paying a deposit it is only a weak sentiment that requires you to return them.

If you have the end seat do not stretch your legs all the way across the aisle. Leave a little room for the book-of-the opera boy to pass.

If the gentleman next to you goes out between acts, remember that no lady will place her tutti-frutti on his vacant chair and forget all about it until next morning.

When you take your deaf uncle with you repeat all the jokes to him. Some jokes are so good that the rest of the audience will not mind hearing them a second time.

In leaving the theatre, if you are a woman, put your muff in the small of the gentleman’s back in front of you and push. If you are a man put your arms akimbo and waddle.

Men of short stature who find it difficult to see the stage will find a thick ulster and a sealskin sacque of great assistance when properly folded and used as a basis of operations.

You may throw a bouquet or a horseshoe of roses at the prima donna, but never heave a brick at the tenor or prostrate the basso profundo by hitting him in the neck with a golosh.

Even if a play is stupid you have no right to snore so loud that the walking gentleman forgets his lines through nervousness. Snoring, however loud, will not make the play any better.

If the author of the play happens to sit next to you, do not advise him to go to some other theatre to see a show that is worth looking at. He may have done his best on the play you are witnessing.

On rainy nights gallery gods are not permitted by the rules of etiquette to hand their dripping umbrellas over the railing. Such a course is apt to dampen the ardor of the audience downstairs.

Read all the jokes printed on the programme and forever after eschew them. No jest ever gains admission to a theatrical programme until it has been found unavailable because of age everywhere else.

Do not step on the tall hat of the gentleman next to you. This rule is respectfully dedicated to ladies, who are also advised not to throw their overshoes into the derby of the gentleman who sits in front.

If the lady in front of you obscures your vision with her winged hat, leave the theatre. Do not trim the hat down with a pair of pocket shears, or sit on the back of your seat with your feet on the cushion.

Never refuse a return check, whether you are coming back or not. You may like the middle act of a play very much, and return checks, if used with discretion, will enable you to see if several times without additional expense. (New York Evening Sun)


Tapestry of Love: Three Books In One

Inspired by actual people and historical events of colonial America, “The Kingdom of Accawmacke” is revealed and secrets about America’s history are discovered in this well-researched series. The story begins in 17th century England during the reign of Charles I and continues a family’s journey to the eastern shore of Virginia and Maryland.


I found this book while researching Alabama ancestors. Curious, I decided to give it a try. While some authors make history dry and dull, Donna R Causey has made it personal. You feel like these are people you know, or maybe even your own ancestors. At the very least you know this is how your ancestors lived. But even if you are not a history buff, you will enjoy the stories of love that are found in each generation and the overall LOVE of the first couple in this family to come to the Colonies and how they shared their love and taught their children to share it as well. Highly recommended. Sisree

The exhilarating action & subplots keep the reader in constant anticipation. It is almost impossible to put the book down until completion, Dr. Don P. Brandon, Retired Professor, Anderson University, Anderson, Indiana

This is the first book I have read that puts a personal touch to some seemingly real people in factual events. Ladyhawk

Love books with strong women…this has one. Love early American history about ordinary people…even though they were not ‘ordinary’…it took courage to populate our country. This book is well researched and well written. Julia Smith

A picture of love and history rolled into one. A step back in time that pulls you in and makes you a part of the family and their world. Ken Flessas

Each book’s writing gets stronger, characters become real, the struggles and sorrows that laid the foundation for this country. Addictedtobooks

Not only is the story entertaining, it opens the eastern shore of the early Virginia Colony to the reader as a picture book….I know this story will touch many peoples’ hearts. B. Thomas

About Donna R Causey

Donna R. Causey, resident of Alabama, was a teacher in the public school system for twenty years. When she retired, Donna found time to focus on her lifetime passion for historical writing. She cohost the Podcast: Alabama Grist Mill and developed the websites www.alabamapioneers and

All her books can be purchased at and Barnes & Noble.

She has authored numerous genealogy books.
RIBBON OF LOVE: A Novel Of Colonial America (TAPESTRY OF LOVE)
is her first novel in the Tapestry of Love about her family where she uses actual characters, facts, dates and places to create a story about life as it might have happened in colonial Virginia. Faith and Courage: Tapestry of Love (Volume 2)
is the second book and the third FreeHearts: A Novel of Colonial America (Book 3 in the Tapestry of Love Series)
Discordance: The Cottinghams (Volume 1)
is the continuation of the story. .

For a complete list of books, visit Donna R Causey

Leave a Reply

Please use your real name instead of you company name or keyword spam.